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MUSIC

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AM I EVEN HERE?

LIMINAL SPACES

Our latest record marks a new step in our evolution as a band.
Delving into melancholia, nostalgia, longing, and seclusion. Both lyrically and musically, it delivers a feeling of being understood: it's okay to bask in memories, we're not alone in our burnouts, and weird dreams can (and do) affect us. Relapsing into the same old sorrows is possible, and sometimes, we just need a song to accompany us through it.

DELVE INTO THE OCEAN

AQVA

Released in 2022, our second full-length AQVA features ten tracks of neck-breaking, modern, progressive power metal and marks a step forward in the evolution of the band into the prog world.
Featuring the anthems At Candle Light and Departure Song, the introspective Rain as well as the massive and solemn Arkangelos, AQVA is a multi-faceted record, that you'll find yourself  listening over an over.

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BEYOND GENRES

BLOODY MARY

As modern musicians our musical taste spans beyond our own genre and we eagerly appreciate many talented artists.

One of them is the infamous Lady Gaga, who shaped the world of pop with her charismatic, larger than life attitude and aesthetic.

We decided to pay her homage and merge the gothic vibe of her iconic track Bloody Mary  with our metal twist.

OUR ROOTS

THE PATH BEYOND THE MOON

Our first ever full-length record, The Path Beyond the Moon, was released in 2018.

A progressive-power epic through and through, it set the bar for our later works: deep lyrics, memorable choruses, balance between heavy riffs and sweeter melodies.

We are very fond of this first work even though our path brought us away from this particular genre.

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A QUIETER MOOD

LULLABIES BEYOND THE MOON
ELEGIES FROM THE LIGHTHOUSE

As the titles suggest, these EPs derive directly from our first two albums.

Lullabies and Elegies bring the energy of the full-lenght records down to invite into a quieter, sweeter mood, containing newly recorded acoustic versions of three songs each from The Path Beyond the Moon and AQVA.

Dreamy, sweet, heartwarming. 

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